Undecided about the festival you want to research? Try one of these sources that list holidays and festivals in New York City and worldwide.
Festivals come in many forms. Think about the type of festival you want to research.
Explore your research topic by using encyclopedias for -
The Traditional Festivals : a multicultural encyclopedia by This illustrated reference work covers a wide range of festivals that have sacred origins and are, or have been, part of a folk tradition, a world religion, or a major civilization. * More than 150 A-Z entries on the content and context of each festival, tracing its historical development and geographic variations, from Ashura (Islam) to Whitsuntide (Christianity) * 70 illustrations of festive rituals including photos of Belgium's Binche Carnival, Japan's Cherry Blossom Festival, and the Zulu Reed Dance * Tables of dates for the major feasts in Hinduism, Judaism, Christianity, and Islam, as well as for the Chinese New Year * Calendar graph showing at a glance the relative places of all the festivals discussed in the seasonal cycle of a single year
The Greenwood Encyclopedia of World Folklore and Folklife by There are many approaches you can take when studying festivals, for example, you can look at the festival through the eyes of an anthropologist, an economist, a sociologist, or a historian. A selection of encyclopedia articles listed here will help you understand how these experts research and write about festivals.
These essays have been taken from the Gale eBooks. Use this database to discover other approaches to festival research or to find articles on the festival you are researching.
Consumer Rites: the buying & selling of American holidays by Slogans such as "Let's put Christ back into Christmas" or "Jesus is the Reason for the Season" hold an appeal to Christians who oppose the commercializing of events they hold sacred. However, through a close look at the rise of holidays in the United States, Leigh Schmidt show us that commercial appropriations of these occasions were as religious in form as they were secular. The rituals of America's holiday bazaar that emerged in the nineteenth century offered a luxuriant merger of the holy and the profane--a heady blend of fashion and faith, merchandising and gift-giving, profits and sentiments, all celebrations of a devout consumption. In this richly illustrated book, which captures both the blessings and ballyhoo of American holiday observances for the mid-eighteenth century through the twentieth, the author offers a reassessment of the "consumer rites" that various social critics have long decried for their spiritual emptiness and banal sentimentality. Schmidt tells the story of how holiday celebrations were almost banished by Puritans and other religious reformers in the colonies but went on to be romanticized and reinvented in the nineteenth and twentieth centuries. Merchants and advertisers were crucial for the reimagining of the holidays, promoting them in a grand, carnivalesque manner, which could include gargantuan fruit cakes, masked Santa Clauses, and exploding valentines. Along the way Schmidt uses everything from diaries to manuals on church decoration and window display to show in bright detail the ways in which people have prepared for and celebrated specific holidays--such as going Christmas shopping, making love tokens, choosing Easter bonnets, sending flowers to Mom, buying ties for Dad. He demonstrates in particular how women took the lead as holiday consumers, shaping warm-hearted celebrations of home and family through their intricate engagement with the marketplace. Bringing together the history of business, religion, and gender, this book offers a fascinating cultural history of an endlessly debated marvel--the commercialization of the American holidays.
Halloween and Other Festivals of Death and Life by Why do we celebrate Halloween? No one gets the day off, and unlike all other major holidays it has no religious or governmental affiliation. A survivor of our pre-Christian, agrarian roots, it has become one of the most popular and widely celebrated festivals on the contemporary American calendar. Jack Santino has put together the first collection of essays to examine the evolution of Halloween from its Celtic origins through its adaptation into modern culture. Using a wide variety of perspectives and approaches, the thirteen essayists examine customs, communities, and material culture to reveal how Halloween has manifested itself throughout all aspects of our society to become not just a marginal survivor of a dying tradition but a thriving, contemporary, post-industrial festival. Its steadily increasing popularity, despite overcommercialization and criticism, is attributed to its powerful symbolism that employs both pre-Christian images and concepts from popular culture to appeal to groups of all ages, orientations, and backgrounds. However, the essays in this volume also suggest that there is something ironic and unsettling about the immense popularity of a holiday whose main images are of death, evil, and the grotesque. Halloween and other Festivals of Death and Life is a unique contribution that questions our concepts of religiosity and spirituality while contributing to our understanding of Halloween as a rich and diverse reflection of our society's past, present, and future identity. The Editor: Jack Santino is an associate professor in the department of popular culture at Bowling Green State University, Bowling Green, Ohio.
Rice Talks: food and community in a Vietnamese town by Rice Talks explores the importance of cooking and eating in the everyday social life of Hoi An, a properous market town in central Vietnam known for its exceptionally elaborate and sophisticated local cuisine. In a vivid and highly personal account, Nir Avieli takes the reader from the private setting of the extended family meal into the public realm of the festive, extraordinary, and unique. He shows how foodways relate to class relations, gender roles, religious practices, cosmology, ethnicity, and even local and national politics. This evocative study departs from conventional anthropological research on food by stressing the rich meanings, generative capacities, and potential subversion embedded in foodways and eating.
Cuban Fiestas by In the Cuban town of Sagua la Grande, a young Roberto González Echevarría peers out the window of his family home on the morning of the Nochebuena fiesta as preparations begin for the slaughter of a feast day pig. The author recalls “watching them at a distance, though thinking, fearing, that once I grew older I would have to participate in the whole event.” Now an acclaimed scholar of Latin American literature, González Echevarría returns to the rituals that defined his young life in Cuban Fiestas. Drawing from art, literature, film, and even the national sport of baseball, he vividly reveals the fiesta as a dynamic force of both destruction and renewal in the life of a people. Roberto González Echevarría masterfully exposes the distinctive elements of the fiesta cubana that give depth and coherence to more than two centuries of Cuban cultural life. Reaching back to nineteenth-century traditions of Cuban art and literature, and augmenting them, in the twentieth, with the arts of narrative, the esthetic performances of sport and entertainment in nightclubs, on the baseball diamond, and in movie theaters, Cuban Fiestas renders the lilting strains of the fiesta and drum beats of the passage of time as keys to understanding the dynamic quality of Cuban culture. González Echevarría’s explorations are also illuminated by autobiographical vignettes that unveil the ever-shifting impact of the fiesta on the author’s own story of exile and return.
